Miu Miu windows, Paris, January 2010














I was bored during class. I think we were watching a movie. I drew these by memory, which means I spend way too much time looking at what I can’t have.
The Virgin Suicides/Yohji Yamamoto Spring 2010.
How to kick butt:
1. Buy either Rodarte’s, Jil Sander’s, or Alexander McQueen’s shoes for Spring.
2. When your lunch money gets stolen or your neighbor tells you to turn down your music, make a permanent dent in the punk’s head.



All photos from style.com.
Ah, bad puns! Anyway, one of my favorite shows of New York last season was undoubtedly Y-3, Yohji Yamamoto’s line for Adidas. His namesake label has lots of draped, loose clothing, and the clothes for Y-3 usually carry the same free-spirited feel. This season was no exception – fun, colorful, everything I guess you would expect from Yohji Yamamoto when he’s making sportswear. It’s very interesting to see a conceptual designer’s idea of more wearable practicality, and to see one make their inspiration more literal – this time, soccer, which included goal net mesh dresses (a bright pink one was my favorite piece from the collection, along with white leather strappy wedges-I am team Nineties Minimalism, all the way) and a soccer net even dropped down from the ceiling for the finale…
All around, lots of fun! I am awful at sports but maybe I will consider joining a school team if it means an excuse to buy one of these dresses (which I’m sure are totally necessary for volleyball, right?):
Yeah, let’s be honest: New York is probably the most wearable out of the four big Fashion Week cities, and sometimes it feels like you’re seeing the same stuff over and over again. That’s why I love Boy by Band of Outsiders, though: each season Scott Sternberg delivers pieces that are versatile and easy to wear but still have character. His aesthetic is consistent but each collection has a different overall mood.
This season it was beach bum.
The presentation was set up like a beach with old recliners and suitcases placed here and there. Mix that with the shades of gray and beige- and of course Boy’s staple, navy-in forms of parkas and perfectly slouchy pants, and you have yourself a cloudy day on the beach. And aren’t those kinds the most refreshing? I like a gloomier take on beach inspiration for Spring/Summer, and the gray moodiness made it all a bit more cool and relaxed.

I loved the use of that stretchy fisherman’s suspenders fabric (also seen in the first picture of this post.)


Perfectly laid back coats. The fur is a nice touch to this gray anorak.
Yep, I’ll go there this summer.



Definitely a favorite color combination of mine and of the season’s.
Missoni, Jean Paul Gaultier, Marc Jacobs
I don’t know why but these looks from Spring 2010 remind me a lot of the The Virgin Suicides (book not movie.) The first two are kind of creepy and innocent and the last is sort of sad and rusty and feels like a reminder of an ideal unfulfilled. Love this book, love these looks…



Christopher Kane, Fendi, Yohji Yamamoto, all via style.com


I just love this color combination and raw, natural-feeling textures mixed with quiet glitz.
Ryan McGinley’s moonmilk, jewels at Lanvin Spring 2010, leaping lizards at Alexander McQueen Spring 2010, Converge’s Axe to Fall cover art, Ruth Gordon in Rosemary’s Baby, stills from Spike Jonze’s Where the Wild Things Are.
During a season where everyone else seems to be focused on a lighter shade of Spring, Kate and Laura Mulleavy have gone rather dark. The imaginations of these two sisters are always widespread, and were this season, as well — the inspiration was condors, vultures, and girls that burn in the desert and become vultures. A very dramatic collection, the clothes were shades of primarily black and red, and there was of course the mixture of different textures and fabrics that has become a huge part of the quickly developed Rodarte aesthetic. And along with the fog, the lights, the Nicholas Kirkwood shoes of steel, arm tattoos inspired by LA gang girls, and strings of blood-like string trailing from the body, there were also these more homely fabrics: plaids, cheesecloths, and what looks like a soft burlap. A bit like the sisters themselves. While their imaginations and inspirations take them everywhere, both girls remain very down-to-earth. A dramatic collection for Spring, but much more natural feeling than a number of other shows. And the moment the first model glided down the runway in a dress made out of burnt fabrics with a streak of lime running through her chest, even the show goers that fake-coughed at the fog and tried to act unimpressed by the setting were instantly drawn in and wide eyed.